Manuscript history of the County of Somerset (England), profusely illustrated, by Elizabeth Ellicott, of Alcombe, Somerset. The volume is in Ellicott's hand throughout, with writing in pen and dark brown ink. Illustrations are watercolors (or, less frequently, gray wash) over pen and ink (or over graphite). The volumes together comprise circa 500 leaves (only the pages of text are numbered), and there is an illustration for almost every page. Her commentary on various cities in Somerset, as well as her illustrations, follow the format and scope of contemporary published guides and surveys, including hand-written indexes to both volumes. There is every indication that she took her project seriously (for a work so vast, there are almost no corrections) and regarded this project as being as close to a published piece as it could have been. It appears, however, that this work was never published.
The manuscript is a remarkable achievement in amateur geographical, historical, and artistic surveying. Ellicott's introduction notes that no comprehensive survey of the county had ever been made. Indeed, John Rutter's 1829 Delineations of the North Western Division of the County of Somerset seems to have been the only such book in publication, and was, as the title indicates, limited in geographical scope. An 1859 Murray's guide to Wiltshire, Dorsetshire, and Somersetshire also lacks the scope and depth of Ellicott's manuscript. Ellicott seems to have set out thus to document every village in the county. Her project surveys Somerset before the railroads had established full connectivity and changed populations and other features. Down to the very smallest villages, Ellicott makes sure that every place in the county is represented. It appears that she traveled to many (if not all) of the locations that she describes in the volumes.
For each Somerset locale, Ellicott covers such topics as folklore, geographical features, ancient ruins, local religious establishments, manor homes, anecdotes about former residents, historical significance, and architectural or other curiosities. About her own village, Alcombe, she records: "A village in the Parish of Dunster; designated in Doomsday book, 'the old valley' ... It was for many years the residence of Rear Adm'l Ellicott [the author's father] who entered the Navy in 1781. He saw considerable service during the war, after which he retired here, where he expired in 1847." She notes a Quaker burial ground in the village, "long ... unused," but says no more about herself or her family.
Ellicott includes a wide variety of watercolor and pen and ink pieces to illustrate various locations. Many of these illustrations appear to have been made en plein air, although some may have been adapted from images already in print. Her art evidences a very deft hand, with a particular flair for depicting stone buildings in varying lights, architectural details, and realistic, sweeping vistas of larger cities and/or outlying areas. Ellicott frequently includes smaller vignettes within the text, often depicting stone monuments, ancient artifacts, or other features of a place. Occasionally she includes botanical and other nature study watercolors, showcasing the native flora and fauna of Somerset.
Tipped in (and folded) at the beginning of the first volume is: Cruchley's railway & telegraphic map of Somerset : showing all the railways & names of stations, also the telegraph lines & stations ; improved from the Ordnance Surveys (London: G.F. Cruchley, [between 1855 and 1875]). The map is cataloged separately. Ellicott has added watercolors to the map to delineate Wansdyke, Roman camps, and Foss Road (Old Roman Foss).