Introduction
Redefining a cultural nation and reifying a theatre tradition: Mei Lanfang's international debut in Japan
The gentlemanly "leading lady" as "ambassador in art": Mei Lanfang's 1930-tour of the United States
Glory or shame to the Chinese nation: the Chinese debate on Mei Lanfang's 1935-visit to the Soviet Union
Learning "the practical lesson": the interpretations and appropriations of Mei Lanfang's art by the Soviet theatre
The effect of displacement: Bertolt Brecht's interpretation and refunctioning of Mei Lanfang's art
Conclusion.