9780253008770

9780253002952 (cloth : alk. paper)

9780253005748 (pbk. : alk. paper)

UPCC book collections on Project MUSE.

Project MUSE - UPCC 2010-2012 Current Complete Collection Bundle.

Project MUSE - UPCC 2012 Current Complete Collection.

Project MUSE - UPCC 2012 Global Cultural Studies Collection.

Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García

Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez

Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones

The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian

The art of place: the work of Diane Gamboa / Karen Mary Davalos

Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones

Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García

Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú

Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González

Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio

Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez

"Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García

Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández

Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero

Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta

Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López

Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson

Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito

Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada

(De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama

"Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado

Mexican hip hop: male expressive culture / Pancho McFarland

The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson

(Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez

Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.

Hispanic Americans > Ethnic identity.

Project Muse.