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Comedy, caricature and the social order, 1820-50

Title
Comedy, caricature and the social order, 1820-50 / Brian Maidment.
ISBN
9780719075261 (hbk.)
0719075262 (hbk.)
Published
Manchester ; New York : Manchester University Press ; New York : distributed in the United States exclusively by Palgrave Macmillan, 2013.
Physical Description
x, 244 p. : ill. ; 25 cm.
Summary
Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book traces the ways in which regency and early Victorian visual humour sustains some of the characteristics of an earlier caricature tradition while also beginning to develop new ways of analysing and coping with social change through comic forms and genres.00.
Format
Books
Language
English
Added to Catalog
March 06, 2013
Bibliography
Includes bibliographical references (p. [231]-239) and index.
Contents
Part I. Regency and early Victorian graphic humour - modes and markets. 1. Graphic bric-a-brac? Approaching early nineteenth century graphic humour
2. Regency visual culture in the marketplace
3. Continuity, innovation and change: comic visual culture 1820-1850
Part 2. The social vision of Regency and early Victorian comic visual culture. 4. Reflections in a print shop window: from street theatre to crime scene
5. Robert Seymour: a jobbing artist in the marketplace
6. The 'march of intellect' as a comic event: mockery, heroism and social change
7. Revisiting the Regency - Punch's dustmen.
Citation

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