Preliminary remarks
Melodic writing with white notes
Two-voice texture with white notes
Melodic writing with black notes
Two-voice texture with black notes
Other aspects of two-voice texture
Examples of two-voice compositions for analysis
Three-voice texture with white notes
Cadences in three-voice texture; other white-note dissonance
Black notes in three-voice texture; imitation and reentries
Paraphrase technique; further studies in canon
Examples of three-voice compositions for analysis
General considerations of four-voice texture; familiar style
Imitation and reentry in four-voice texture; cantus firmus technique
Examples of four-voice compositions for analysis
Aspects of five- and six-voice texture; triple meter
The motet; parody technique
Examples of five- and six-voice compositions for analysis
Eight-voice texture; polychoral style
Examples of eight-voice compositons for analysis
Additional harmonic devices in the late sixteenth century
Extended musica ficta and chromaticism.