CD tracks
Acknowledgement
Introduction
Chapter 1: Major key harmony
Chapter 2: Secondary dominants, extended dominants, and the "II V" progrsssion
Chapter 3: Substitute dominants: "Sub Vs"
Chapter 4: Minor key harmony: a sea of options
Chapter 5: Modal interchange
Chapter 6: Blues in jazz
Chapter 7: The diminished seventh chord
Chapter 8: Modulation
Chapter 9: Modal harmony in jazz
Chapter 10: Outside of the box: Constant structure progressions
Chapter 11: Jazz voicings
Appendix A: The standard deceptive resolutions of V7
Appendix B: Non-resolving dominant seventh chords.