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Red, white, & black make blue indigo in the fabric of Colonial South Carolina life

Title
Red, white, & black make blue [electronic resource] : indigo in the fabric of Colonial South Carolina life / Andrea Feeser.
ISBN
9780820346564
082034656X
Published
(Baltimore, Md. : Project MUSE, 2013)
Physical Description
1 online resource (1 PDF (x, 140 pages, 8 unnumbered pages of plates) :) : illustrations, map
Local Notes
Access is available to the Yale community.
Notes
Issued as part of UPCC book collections on Project MUSE.
Description based on print version record. Description based on print version record.
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Summary
Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves--both black and Native American--made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories--uncovered for the first time during her research--of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.
Other formats
Print version:
Format
Books / Online
Language
English
Added to Catalog
April 07, 2014
Bibliography
Includes bibliographical references and index.
Contents
Why South Carolina indigo?
South Carolina indigo in British and Colonial wear
South Carolina indigo in British textiles for the home and Colonial market
South Carolina indigo in the dress of slaves and sovereign Indians
Indigo cultivation and production in South Carolina
Botanists, merchants, and planters in South Carolina : investments in indigo
The role of indigo in native-colonist struggles over land and goods
Producing South Carolina indigo: colonial planters and the skilled labor of slaves
Indigo plantation histories
Indigo and an East Florida plantation: overseer Indian Johnson walks away
Slave John Williams: a key contributor to the Lucas-Pinckney indigo concern
Conclusion. South Carolina indigo: a history of color.
Also listed under
Project Muse, distributor.
Project Muse.
Citation

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