Introduction : What more can be said about the Hollywood blacklist?
A bifocal view of Hollywood during the blacklist: film as propaganda and allegory
I was a communist for RKO: Hollywood anti-communism and the problem of representing political beliefs
The Reds and the Blacks: representing race in anti-communist films
Stoolies, cheese-eaters, and ties salesmen: genre, allegory, and the HUAC informer
The cross and the sickle: allegorical representations of the blacklist in historical films
Making war and peace with the "red" man: the western as allegory of the blacklist and the cold war
Loving the alien: science fiction cinema as cold war allegory
Conclusion: old wounds and the Texas sharpshooter.