Altering Oroonoko and Imoinda in mid-eighteenth century British drama
The soft, strategic voice of paternal tyranny : amelioration and African women in The grateful negro
"Between the saints and the rebels" : Imoinda and the resurrection of the black African heroine
Creoles, closure, and Cubba's comedy of pain : abolition and the politics of homecoming in eighteenth-century British farce
"What? Are we going to prosecu massa?" : Adeline Mowbray's distinguished complexion of abolition
"An unportioned girl of my complexion can...be a dangerous object." Abolition and the mulatto heiress in England.