The post-cinematic landscape
Décalage and mediaphors in Robert Lepage's Elsinore and the Andersen project
A cinematic montage in Roadmetal sweetbread and Mare's nest
Guilty pleasures and intermedial archaeologies in Wooster Group's House/Lights and Hamlet
The ethics of perception in Wunschkonzert
Disorienting landscapes in Hotel Methuselah
Pedipulating "footage" in Duncan Speakman's As if it were the last time
Landscapes and aporias in Lars Von Trier's Dogville
Conclusion.