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Norton anthology of western music

Title
Norton anthology of western music / edited by J. Peter Burkholder and Claude V. Palisca.
ISBN
9780393921618 (v. 1 : spiral)
0393921611 (v. 1 : spiral)
9780393921625 (v. 2 : spiral)
039392162X (v. 2 : spiral)
9780393921632 (v. 3 : spiral)
0393921638 (v. 3 : spiral)
Edition
7th ed.
Published
New York : W.W. Norton, c2014.
Physical Description
3 v. of music ; 26 cm
Notes
Vocal and instrumental music.
Companion volumes to: A history of western music, 9th ed. and Concise history of western music, 5th ed.
Recordings of musical works included on: Norton recorded anthology of western music. 3 volume set of mp3 discs.
Includes indexes.
Vocal works with English, French, German, Greek, Italian, Latin, or Russian words, also printed as text with English translation.
Variant and related titles
Norton recorded anthology of western music.
Concise history of western music.
History of western music.
Format
Music Scores
Language
Multiple languages; English
Added to Catalog
April 21, 2015
Contents
v. 1. Ancient to Baroque. The ancient and medieval worlds. Music in antiquity. Epitaph of Seikilos ; Euripides: Orestes, excerpt : Stasimon chorus
Roman liturgy and chant. Mass for Christmas Day ; Chants for Vespers for Christmas Day ; Ascribed to Wipo of Burgundy: Victimae paschali laudes ; Tropes on Puer natus: Quem queritis in presepe ; Hildegard of Bingen: Ordo virtutum : closing chorus, In principe omnes
Song and dance music to 1300. Bernart de Ventadorn: Can vei la lauzeta mover ; Comtessa de Dia: A chantar ; Adam de la Halle: Jeu de Robin et de Marion : rondeau, Robins m'aime ; Walther von der Vogelweide: Palästinalied (Nū alrēst lebe ich mir werde) ; Cantiga 159: Non sofre Santa Maria, from Cantigas de Santa Maria ; La quarte estampie royale, from Le manuscrit du roi
Polyphony through the Thirteenth Century. Organa from Musica enchiriadis. Tu patris sempiternus es filius ; Sit gloria domini ; Rex caeli domine ; Alleluia Justus ut palma, from Ad organum faciendum ; Jubilemus, exultemus ; Leoninus and colleagues: Viderunt omnes ; Clausulae on Dominus, from Viderunt omnes. Dominus, clausula no. 26 ; Dominus, clausula no. 29 ;
Perotinus: Viderunt omnes ; Ave virgo virginum ; Motets on Tenor Dominus. Factum est salutare/Dominus ; Fole acostumance/Dominus ; Super te/Sed fulsit virginitas/Dominus ; Adam de la Halle: De ma dame vient/Dieus, comment porroie/Omnes ; Petrus de Cruce (Pierre de la Croix): Aucun ont trouvé/Lonc tans/Annuntiates ; Sumer is icumen in
New developments in the fourteenth century. Philippe de Vitry: Cum statua/Hugo, Hugo/Magister invidie ; Guillaume de Machaut: La messe de Notre Dame. Kyrie ; Gloria ; Douce dame jolie ; Rose, liz, printemps, verdure ; Philippus de Caserta: En remirant vo douce pourtraiture ; Jacopo da Bologna: Non al suo amante ; Francesco Landini: Così pensoso ; Non avrà ma' pietà
The Renaissance. England and Burgundy in the Fifteenth Century. Alleluia : a newë work ; John Dunstable: Quam pulchra es ; Binchois (Gilles de Bins): De plus en ; Guillaume Du Fay: Resvellies vous ; Christe, redemptor omnium ; Se la face ay pale. Se la face ay pale (ballade) ; Missa Se la face ay pale (cantus-firmus mass): Gloria
Franco-Flemish composers. Anotine Busnoys: Je ne puis vivre ;
Jean de Ockeghem: Missa prolationum: Kyrie ; Henricus Isaac: Innsbruck, ich muss dich lassen ; Josquin Desprez: Faulte d'argent ; Mille regretz ; Ave Maria ... virgo serena ; Missa Pange lingua : Excerpts. Kyrie ; Credo, excerpt. Et incarnatus est, Crucifixus
Sacred music in the era of the Reformation. Attributed to St. Ambrose: Veni redemptor gentium ; Martin Luther: Nun komm, der Heiden Heiland ; Ein feste Burg ; Johann Walter: Ein feste Burg ; Loys Bourgeois: Psalm 134 (Or sus, serviteurs du Seigneur) ; William Kethe: Psalm 100, All people that on earth do dwell ; Thomas Tallis: If ye love me ; William Byrd: Sing joyfully unto God ; Nicholas Gombert: Ave regina caelorum ; Giovanni Pierluigi da Palestrina: Pope Marcellus mass : Excerpts. Credo ; Agnus Dei ; Tomás Luis de Victoria: O magnum mysterium ; Missa O magnum mysterium. Kyrie ; Orlande de Lassus: Cum essem parvulus
Madrigal and secular song in the Sixteenth Century. Juan del Elcina: Oy comamos y bebamos ; Marchetto Cara: Mal un muta per effecto ; Jacques Arcadelt: Il bianco e dolce cigno ; Cipriano de Rore: Da le belle contrade d'oriente ; Luca Marenzio: Solo e pensoso ;
Carlo Gesualdo: Io parto e non più dissi ; Claudin de Sermisy: Tant que vivray ; Orlande de Lassus: La nuict froide et sombre ; Claude Le Jeune: Revecy venir de printans ; Thomas Morley: My bonny lass she smileth ; Thomas Weelkes: As Vesta was ; John Dowland: Flow, my tears
The rise of instrumental music. Tielman Susato: Dances from Danserye. No. 5: La morisque ; No. 38: La dona ; No. 50: La dona ; Anthony Holborne: The night watch ; The faerie round ; Louis de Narváez: From Los seys libros del Delphin. Cancion Mille regres ; Cuatro diferencias sobre Guárdame las vascas ; William Byrd: John come kiss me now ; Giovanni Gabrieli: Canzon septimi toni a 8, from Sacrae symphoniae
The Seventeenth Century. New styles in the Seventeenth Century. Claudio Monteverdi: Cruda Amarilli ; Giulio Caccini: Vedrò 'l mio sol
The invention of opera. Jacopo Peri: Le musiche sopra l'Euridice : Excerpts. Nel pur ador ; Per quel vago boschetto ; Claudio Monteverdi: L'Orfeo : Excerpt from Act II. Vi ricorda o boschi ombrosi ; Mira, deh mira Orfeo ; Ahi, caso acerbo ; Tu se' morta ; Ahi, caso acerbo ; L'incoronazione di Poppea : Act I, Scene 3.
Signor, deh non partire ; Adorati miei rai ; Antonio Cesti: Orontea : Excerpt from Act II. E che si fa? ; Intorno all' idol mio
Music for chamber and church in the early Seventeenth Century. Barbara Strozzi: Lagrime mie ; Giovanni Gabrieli: In ecclesiis ; Alessandro Grandi: O quam to pulchra es ; Giacomo Carissimi: Historia di Jephte : Conclusion. Plorate colles ; Plorate filii Israel ; Heinrich Schütz: Saul, was verfolgst du mich, SWV 415, from Symphoniae sacrae III ; Girolamo Frescobaldi: Toccata no. 3 ; Ricercare after the Credo, from Mass for the Madonna, in Fiori musicali ; Biagio Marini: Sonata IV per il violino per sonar con due corde
France, England, Spain, and the New World in the Seventeenth Century. Jean-Baptiste Lully: Armide : Excerpts. Overture ; from Act II, Scene 4: Laissons au tendre amour ; Act II, Scene 5: Enfin il est en ma puissance ; Te Deum : Conclusion ; Denis Gaultier : La coquette virtuose ; Elisabeth-Claude Jacquet de la Guerre: Suite no. 3 in A minor, from Pièces de clavecin ; Henry Purcell: Dido and Aeneas : Conclusion. Thy hand, Belinda ; When I am laid in earth ; With drooping wings ; Tomás de Torrejón y Velasco: La púrpura de la rosa :
Excerpt. Y bien, ¿qué es lo que adviertes? ; Corred, corred, cristales ; Juan de Araujo: Los coflades de la estleya
Italy and Germany in the late Seventeenth Century. Alessandro Scarlatti: Clori vezzosa, e bella : Conclusion. Vivo penando ; Sì, sì ben mio ; La Griselda : Excerpt from Act I, Scene 2 ; Arcangelo Corelli: Trio sonata in D major, op. 3, no. 2 ; Dietrich Buxtehude: Praeludium in E major, BuxWV 141
The Eighteenth Century. The early Eighteenth Century in Italy and France. Antonio Vivaldi: Concerto for violin and orchestra in A minor, op. 3, no. 6 ; François Couperin: Vingt-cinquième ordre : Excerpts. La visionaire ; La muse victorieuse ; Les ombres errantes ; Jean-Philippe Rameau: Hippolyte et Aricie : Act IV, conclusion. Conclusion of Scene 3 ; Scene 4
German composers of the Late Baroque. Georg Philipp Telemann: Paris quartet no. 1 in G major (Concerto primo), TWV 43:G1. Movements 3-5 ; Johann Sebastian Bach: Prelude and fugue in A minor, BWV 543 ; Chorale prelude on Durch Adams Fall, BWV 637 ; The well-tempered clavier, Book I: Prelude no. 8 in E♭ minor and Fugue no. 8 in D♯ minor, BWV 853 ;
Nun komm, der Heiden Heiland, BWV 62 ; St. Matthew Passion, BWV 244 : Excerpt. No. 36. Und der Hohepriester antworte ; No. 37. Wer hat dich so geschlagen ; No. 38. Petrus aber sass draussen im Palast ; No. 39. Erbarme dich ; No. 40. Bin ich gleich von dir gewichen ; George Frideric Handel: Giulio Cesare : Act II, Scenes 1-2. Eseguisti, oh Niren ; V'adoro pupille ; Saul : Act II, Scene 10. The time at length is come ; Where is the son of Jesse? ; O fatal consequence of rage.
v. 2. Classic to Romantic. The Eighteenth Century. Opera and vocal music in the early Classic Period. Giovanni Battista Pergolesi: La serva padrona : Excerpt. Ah, quanto mi sta male ; Son imbrogliato io ; Johann Adolf Hasse: Cleofide : Act II, Scene 9. Digli ch'io son fedele ; John Gay. The beggar's opera : Excerpt from Scene 13. My heart was so free ; Were I laid on Greenland's coast ; Christoph Willibald Gluck: Orfeo ed Eudridice : Excerpt from Act II, Scene 1 ; Giovanni Battista Pergolesi: Stabat Mater : Excerpts. Quae maerebat et dolebat ; Quis est homo ; William Billings: Creation, from The continental harmony
Instrumental music: sonata, symphony, and concerto. Domenico Scarlatti: Sonata in D major, K. 119 ; Carl Philipp Emanuel Bach: Sonata in A major, H. 186, Wq. 55/4 : Second movement, Poco adagio ; Giovanni Battista Sammartini: Symphony in F major, no. 32 : First movement, Presto ; Johann Stamitz: Sinfonia a 8 in E-flat major, op. 11, no. 3 : First movement, Allegro assai ; Johann Christian Bach: Concerto for harpsichord or piano and strings in E-flat major, op. 7, no. 5 : First movement, Allegro di molto
Classic music in the late Eighteenth Century. Joseph Haydn. String quartet in E-flat major, op. 33, no. 2 (The joke), Hob. III:38 ; Symphony no. 88 in G major, Hob. I:88 ; The creation : No. 2. In the beginning God ; Wolfgang Amadeus Mozart: Piano sonata in F major, K. 332 (300k) : First movement, Allegro ; Piano concerto in A major, K. 488 : First movement, Allegro ; Symphony no. 41 in C major (Jupiter), K. 551 : Finale ; Don Giovanni : Act I. Scene 1 ; Scene 2
The Nineteenth Century. Ludwig van Beethoven: Piano sonata in C minor, op. 13 (Pathétique) : First movement ; Symphony no. 3 in E-flat major, op. 55 (Eroica) : First movement, Allegro con brio ; String quartet in C-sharp minor, op. 131 : Excerpts. First movement, Adagio ma non troppo e molto espressivo ; Second movement, Allegro molto vivace
The Romantic generation : song and piano music. Franz Schubert: Gretchen am Spinnrade, D. 118 ; Winterreise, D. 911. No. 5 : Der Lindenbaum ; Robert Schumann: Dichterliebe, op. 48. No. 1 : Im wunderschönen Monat Mai ; Stephen Foster: Jeanie with the light brown hair ; Robert Schumann: Carnaval, op. 9 : Excerpts.
No. 5 : Eusebius ; No. 6 : Florestan ; No. 7 : Coquette ; Fanny Mendelssohn Hensel: Das Jahr. No. 12 : December ; Fryderyk Chopin: Mazurka in B-flat major, op. 7, no. 1 ; Nocturne in D-flat major, op. 27, no. 2 ; Franz Liszt: Trois études de concert. No. 3 : Un sospiro ; Louis Moreau Gottschalk: Souvenir de Porto Rico (Marche des Gibaros), op. 31
Romanticism in Classical forms : orchestral, chamber, and choral music. Hector Berlioz: Symphonie fantastique : Fifth movement, Dream of a witches' sabbath ; Felix Mendelssohn: Violin concerto in E minor, op. 64. First movement, Allegro molto appassionato ; Robert Schumann: Symphony no. 4 in D minor, op. 120. First movement, Ziemlich langsam
Lebhaft ; Franz Schubert: String quartet in C major, D. 956. First movement, Allegro ma non troppo ; Clara Schumann: Piano trio in G minor, op. 17: Third movement, Andante ; Felix Mendelssohn: Elijah, op. 70 : And then shall your light break forth ; Franz Schubert: Die Nacht, op. 17, no. 4, D. 983c
Romantic opera and musical theater to midcentury. Gioachino Rossini: Il barbiere di Siviglia : Act I, no. 7, Una voce poco fa ; Vincenzo Bellini: Norma : Casta diva ;
Giacomo Meyerbeer: Les Huguenots : Conclusion of Act II. Entrée de la cour, Oui, d'un heureux hymen ; Serment, Par d'honneur ; Scène, Et maintenant ; Strette, O transport! ; Carl Maria von Weber: Der Freischütz : Act II, Finale, Wolf's Glen scene. Milch des Mondes fiel aufs Kraut ; Trefflich bedient! ; Schütze, der im Dunkeln wacht
Opera and musical theater in the later Nineteenth Century. Richard Wagner: Tristan und Isolde : Prelude and conclusion of Act I ; Giuseppe Verdi: La traviata : Act III, Scena and duet. Signora ; Colpevol sono ; Parigi, o cara ; Ah non più ; Ah! Gran Dio! Morir si giovane ; Giacomo Puccini: Madama Butterfly : Excerpt from Act I ; Georges Bizet: Carmen : Act I, no. 10, Seguidilla and duet ; Modest Mussorgsky: Boris Godunov : Coronation scene ; Arthur Sullivan: The pirates of Penzance : Act II, no. 17, When the foeman bares his steel
Late Romanticism in Germany and Austria. Johannes Brahms: Symphony no. 4 in E minor, op. 98 : Fourth movement, Allegro energico e passionato ; Quintet for piano and strings in F minor, op. 34 : First movement, Allegro non troppo ; Anton Bruckner : Virga Jesse, WAB 52 ;
Richard Strauss : Don Quixote, op. 35 : Themes and variations 1-2
Diverging traditions in the later Nineteenth Century. Gabriel Fauré: La bonne chanson, op. 61, no. 6 : Avant que to ne t'en ailles ; Piotr Il'yich Tchaikovsky: Symphony no. 6 in B minor (Pathétique), op. 74 : Third movement, Allegro molto vivace ; Antonín Dvořák: Slavonic dances, op. 46, no. 1 : Presto ; Amy Beach: Piano quintet in F-sharp minor, op. 67 : Third movement, Allegro agitato ; John Philip Sousa: The stars and stripes forever.
v. 3. The Twentieth Century and after. The early Twentieth Century. Maple leaf rag / Scott Joplin ; Kindertotenlieder. Nun will die Sonn' so hell aufgeh'n / Gustav Mahler ; Salome. Ah! Ich habe deinen Mund gekusst / Richard Strauss ; Nocturnes. Nuages / Claude Debussy ; Le tombeau de Couperin. Menuet / Maurice Ravel ; Prelude in G minor, op. 23, no. 5 / Sergei Rachmaninov ; Vers la flamme, op. 72 / Alexander Scriabin ; Embryons desseches. De podophthalma / Erik Satie
Radical modernists. Pierrot lunaire. Nacht, Enthauptung / Arnold Schoenberg ; Piano suite, op. 25. Prelude, Minuet and trio / Arnold Schoenberg ; Wozzeck. Act III, scene 2-3 / Albal Berg ; Symphony, op. 21. Ruhig schreitend / Anton Webern ; The rite of spring. Dnase des adolescentes, Danse sacrale / Igor Stravinsky ; Symphony of psalms. First movement / Igor Stravinsky ; Mikrokosmos. No. 123, Staccato and legato / Béla Bartók ; Music for strings, percussion and celesta. Adagio / Béla Bartók ; General William Booth enters into heaven / Charles Ives
Between the World Wars. Girl crazy. I got rhythm / George Gershwin ; Back water blues / Bessie Smith ; West end blues / King Oliver ; Cotton tail / Duke Ellington ; La création du monde. First tableua / Darius Milhaud ; Die Dreigroschenoper. Die Moritat von Mackie Messer / Kurt Weill ; Symphony Mathis der Maler. Grablegung / Paul Hindemith ; Alexander Nevsky. Arise ye Russian people / Sergey Prokofiev ; Symphony no. 5, op. 47. Allegretto / Dmitri Shostakovich ; Bachianas Brasileiras no. 5. Aria / Heitor Villa-Lobos ; Homenaje a Federico Garcia Lorca. Baile / Silvestre Revueltas ; Hyperprism / Edgard Varèse ; The banshee / Henry Cowell ; String quartet 1931. Allegro possible / Ruth Crawford Seeger ; Appalachian spring. Variations on 'Tis a gift to be simple / Aaron Copland ; Afro-American symphony. Moderato assai / William Grant Still
Postwar crosscurrents. Anthropology / Charlie Parker and Dizzy Gillespie ; West Side story. Cool / Leonard Bernstein ; Symphony for band. Adagio-Allegro / Vincent Persichetti
Postwar heirs to the classical tradition. Peter Grimes. To hell with all your mercy! / Benjamin Britten ; Quartet for the end of time. Liturgie de cristal / Olivier Messiaen ; Le marteau sans maitre. Bourreaux de solitude / Pierre Boulez ; Sonatas and interludes. Sonata V / John Cage ; Music of changes. Book I / John Cage ; Black angels. Devil music, Danse macabre / George Crumb ; Poème électronique / Edgard Varèse ; Philomel. Section I / Milton Babbitt ; Threnody : to the victims of Hiroshima / Krzystztof Penderecki
The late twentieth century. Seven tunes heard in China. No. 1 Seasons / Bright Sheng ; Tehillim. Part IV / Steve Reich ; Short ride in a fast machine / John Adams ; Vertige / György Ligeti ; Rejoice! Listen to the still small voice within / Sofia Gubaidulina ; Concerto grosso no. 1. Toccata / Alfred Schnittke ; Seven magnificat antiphons. O Weisheit, O König aller Völker / Arvo Pärt
The twenty-first century. L'amour de loin. Tempête / Kaija Saariaho ; La pasión según San Marcos. Escarnio y negación, Desgarro de la Túnica, Lúa descolorida / Osvaldo Golijov ; Caténaires / Elliott Carter ; Doctor Atomic. Batter my heart / John Adams ; Blue cathedral. Opening excerpt / Jennifer Higdon.
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