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Medieval and early modern performance in the Eastern Mediterranean

Title
Medieval and early modern performance in the Eastern Mediterranean / edited by Arzu Öztürkmen and Evelyn Birge Vitz.
ISBN
9782503546919
2503546919
9782503547398
Publication
Turnhout : Brepols, [2014]
Copyright Notice Date
©2014
Physical Description
xxxvi, 576 pages : illustrations ; 24 cm.
Notes
International conference proceedings.
Summary
An exploration of traditional performances in the Eastern Mediterranean in the medieval and Early Modern periods. This book brings to life a broad array of performances in the Eastern Mediterranean. It covers many traditional types of performance, including singers, dancers, storytellers, street performers, clowns, preachers, shadow-puppeteers, fireworks displays, and semi-theatrical performances in folk and other celebrations. It explores performance of the secular as well as of the sacred in its many forms, including Sunni, Shiite, Sufi, and Alevi Muslims; Sephardic Jews and those in the Holy Land; and Armenian, Greek, and European Catholic Christians. The book focuses on the Medieval and Early Modern periods, including the Early Ottoman. Some papers reach backward into Late Antiquity, while others demonstrate continuity with the modern Eastern Mediterranean world. The articles discuss evidence for performers and performance coming from archival sources, architectural and manuscript images, musical notation, historical and ethnographic accounts, literary works, and oral tradition. Across the broad range of issues, chronology, and geography, certain fundamental topics are central: concepts of drama and theatricality; varied definitions of performance and related terms; the sacred and the profane, and their frequent intersection; and complex relations between oral and written traditions.
Format
Books
Language
English
Added to Catalog
October 26, 2015
Series
Late medieval and early modern studies ; v. 20.
Late medieval and early modern studies ; v. 20
Bibliography
Includes bibliographical references and index.
Contents
Introduction
Part 1. Verbal Art as Performance
Storytelling as Performance / Metin And
The Maqama
Between a Tale and a One-Man Show: In Search of its Form of Performance / Revital Refael-Vivante
Orality, Text, and Performance in the Book of Dede Korkut / Arzu Ozturkmen
Signals of Performability in the Croatian Glagolitic Legend of St John Chrysostom / Marija-Ana Durrigl
The Performance of Joinville's Credo / Michael Curschmann
Medieval Folktales, Modern Problems, and a Gifted Preacher: The Case of Rabbi Joseph Hayyim and the 'Tale of a Fox that Left his Heart at Home' / David Rotman
'The Seven Sleepers of Ephesus': Can We Reawaken Performance of this Hagiographical Folktale? / Evelyn Birge Vitz
Part 2. Performance under Imperial Realms
How to Entertain the Byzantines: Some Remarks on Mimes and Jesters in Byzantium / Przemys Ław Marciniak
Between Admiration, Anxiety, and Anger: Views on Mimes and Performers in the Byzantine World / Tivadar Palagyi
Performance and Ideology in the Exchange of Prisoners between the Byzantines and the Islamic Near Easterners in the Early Middle Ages / Koray Durak
Fireworks in Seventeenth-Century Istanbul / Suraiya Faroqhi
Clowns at Ottoman Festivities / Ozdemir Nutku
Lady Mary Wortley Montagu (1689-1762): Her Turkish Performances / Danielle Haase-Dubosc
The Fusion of Zar-Bori and Sufi Zikr as Performance: Enslaved Africans in the Ottoman Empire / Ehud R. Toledano
Part 3. Modes and Varieties of Entertainment
How Dark is the History of the Night, How Black the Story of Coffee, How Bitter the Tale of Love: The Changing Measure of Leisure and Pleasure in Early Modern Istanbul / Cemal Kafadar
One Man and His Audience: Comedy in Ottoman Shadow Puppet Performances / Daryo Mizrahi
Shadow Theatre, the Karagoz (Kara Gyooz) and the Texts of Ibn Daniyal (1248-1311?) / Mas'ud Hamdan
Armenian Traditional Music and the Performance Practices in the Armenian Community of Jerusalem / Noune Zeltsburg-Poghosyan
Constructing the Performed Identity of Sephardic Songs / Judith R. Cohen
Gypsy Musicians and Performances in the Ottoman Balkans / Elena Marushiakova and Vesselin Popov
Part 4. Iconography
Scenes of Performers in Byzantine Art, Iconography, Social and Cultural Milieu: The Case of Acrobats / Viktoria Kepetzi
Theatricality of Byzantine Images: Some Preliminary Thoughts / Anestis Vasilakeris
Theatrical Features in Armenian Manuscripts / Emma Petrosyan
Capital Initials with Images of Musicians in Armenian Manuscripts / Hrant Khachikyan
Glorious Noise of Empire / Gabriela Currie
Part 5. Ritual Roots of Performance
Representing the Moulid: Salah Jahin's Al-Layla al-Kabira between Populist and Nationalist Aspirations / Samia Mehrez
Performative Conceptions of Social Change: The Case of Nevruz Celebrations in Pre-Ottoman and Ottoman Anatolia / Yucel Demirer
Alevi Ritual Movement:Its Representation in Fifteenthand Sixteenth-Century Texts and Today / Fahriye Dincer
The Moreška Dance/Drama on the Island of Korčula (Croatia): A Turkish Connection? / Elsie Ivancich Dunin
The Show and the Ritual: The Mevlevi Mukabele in Ottoman Times / Cem Behar
The Ritual of Vardan Mamikonyan / Zhenya Khachatryan
Epilogue: The Performative Turn in Recent Cultural History / Peter Burke
Index.
Genre/Form
History.
Citation

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