Introduction: the Haitian Revolution as refusal and reuse
Overture: Haiti against forgetting and the thermidorean present
Haitian revolutionary encounters: Eugene O'Neill, Sergei Eisenstein, and Orson Welles
Bringing in the chorus: the Haitian Revolution plays of C.L.R. James and Edouard Glissant
Tragedy as mediation: the Black Jacobins
Tshembe's choice: Lorraine Hansberry's pan-Africanist drama and Haitian revolution opera
Conclusion: Malcolm X's enlistment of Hamlet and Spinoza
Coda: Black radical tragic propositions.