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The march to Finchley

Title
[The march to Finchley] [graphic].
Edition
[State 1, unfinished proof (the etching) before letters].
Publication
[London] : [Wm. Hogarth], [December 1750]
Physical Description
1 print : etching ; plate mark 43 x 56 cm
Medium
laid paper.
Notes
Title, imprint, artist, printmaker and state from Paulson.
Sheet trimmed with plate mark.
Provenance
George Steevens bequeathed this collection to William Windham (1750-1810). At Windham's death, the collection was put up for sale on 20 July 1810 and was bought in by Mrs. Windham at 292 guineas; by descent through the Windham family; Sotheby's, 17 February 1919 to Dyson Perrins for £400; Sotheby's sale including Property of the Late C.W. Dyson Perrins, Esq., 11 June 1959, lot 100 purchased by Maggs Bros. for W.S. Lewis for £1300.
Summary
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue.
Format
Images
Language
English
Added to Catalog
May 13, 2016
References
Catalogue of prints and drawings in the British Museum, v. 3, no. 2639
Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 184
Genre/Form
Proofs before letters.
Satires (Visual works) - England - 1750.
Annotations (Provenance) - 18th century.
Etchings - England - London - 1750.
Citation

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