Introduction by Linda Ashley and David Lines
Part I Music and Dance in Education Through Oceanic Traditions
Mau Kōrari – Traditional Māori Martial Art Training Incorporating American and European Dance Forms by Tanemahuta Gray with Jenny Stevenson
Learning Music and Dance in Micronesia by Brian Diettrich
Sāsā: More Than Just a Dance by Robyn Trinick and Luama Sauni
Pride and Honour: Indigenous Dance in New South Wales Schools by Katie Wilson
Part II Culturally Responsive Pedagogies
Making Connections: Culturally Responsive Pedagogy and Dance in the Classroom by Liz Melchior
Legacy and Adaptation: Orff Schulwerk in the New Zealand Setting by Linda Locke
Forging Genuine Partnerships in the Performance Studio: Reviving the Master-Apprentice Model for Post-Colonial Times by Te Oti Rakena
Changing Pedagogical Approaches in ‘Ori Tahiti: “Traditional” Dance for a Non-Traditional Generation by Jane Freeman-Moulin
Dancing into the Third Space: The Role of Dance and Drama in Discovering Who We Are by Janinka Greenwood
Untangling Intersections of Diverse Indigenous Heritages in Dance Education: Echoes, Whispers and Erosion in the Creases by Linda Ashley
Part III Sharing and Constructing Identities, Meanings and Values
Songs Stories Tell and Intersecting Cultures by Harold Anderson
Being Heard: Indigenous Community Narratives by Stephen Matthews
Cross-Cultural Education in Dance and Song in Aotearoa and Sāmoa by Olivia Taouma
Musicultural Identity and Intersecting Geographic Contexts in Oceania by Trevor Thwaites
Tama Watēa: Integrating Māori perspectives into Dance Education by Ojeya Cruz-Banks
The Ocean Swim: Rethinking Community in an Early Childhood Education Performing Arts Research Initiative by David Lines. .