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Film 1900 technology, perception, culture
Title
Film 1900 [electronic resource] : technology, perception, culture / edited by Annemone Ligensa and Klaus Kreimeier.
ISBN
9780861969166
0861969162
9780861966967 (pbk.)
0861966961 (pbk.)
Published
New Burnet, England : John Libbey ; Bloomington, IN : Distributed in North America by Indiana University Press, c2009. (Baltimore, Md. : Project MUSE, 2015)
Physical Description
1 online resource (vi, 250 p. :) ill., maps ;
Local Notes
Access is available to the Yale community.
Notes
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Variant and related titles
UPCC book collections on Project MUSE.
Project MUSE – UPCC 2017 Archive Complete Supplement V.
Format
Books / Online
Language
English
Added to Catalog
January 20, 2017
Bibliography
Includes bibliographical references.
Contents
Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa
Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser
Viewing change, changing views: the 'history of vision'-debate / Frank Kessler
The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer
Mind the gap: the discovery of physiological time / Henning Schmidgen
'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg
The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz
Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis
The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen
Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller
'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars
Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz
'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick
The attraction of motion: modern representation and the image of movement / Tom Gunning
'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier
German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger
Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel
'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa
Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
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