Machine generated contents note:
Introduction
Patrick M. Bray, The Ohio State University, USA Part I
Conceptualizing Rancière
1. Mallarmé, politique de la sirène
Bruno Bosteels, Cornell University, USA
2. 'The Democratic Torrent': Politics of the Social in Rancière's Hatred of Democracy
Emily Apter, New York University, USA
3. Écarts du cinéma
Tom Conley, Harvard University, USA
4. Film Fables
Margaret Flinn, The Ohio State University, USA
5. Proletarian Nights
Bettina Lerner, City College CUNY, USA
6. The Ignorant Schoolmaster
Leon Sachs, University of Kentucky, USA
7. The Emancipated Spectator
Cary Hollinshead-Strick, American University of Paris, France
8. Silent Speech
Giuseppina Mecchia, University of Pittsburgh, USA Part II
Rancière and Aesthetics
9. Staging a conversation between Rancière and feminist theory
Tina Chanter, Kingston University London, UK
10. Reassessing Rancière and Video Art
Tim Murray, Cornell University, USA
11. Rancière and Proust
Suzanne Guerlac, University of California, Berkeley
12. Rancière's critique of modernism
Alison Ross, Monash University, Australia
13. Laboring Arms and the Floating Gaze: Rancière's New Sensorium
Marina Van Zuylen, Bard College, USA
14. Rancière and Latin American Modernism
Silvia López, Carleton College, USA
15. Rancière and Virginia Woolf
Ewa Ziarek, SUNY Buffalo, USA
16. On Rancière's Opposition of Politics and Police: Meaning and Consequences
Étienne Balibar, Columbia University, USA, and Université de Paris-Ouest Nanterre, France Part III
Glossary of Key Terms
Index.