Machine generated contents note: Introduction
Acting through machines: fidelity and expression from cameras to Mo-Cap
Behind rubber and pixels: mimesis, seamlessness, and acting achievement
In another's skin: typecasting, identity, and the limits of proteanism
Double trouble: authenticity, fakery, and concealed performance labor
Performing with themselves: versatility, timing, and nuance in multiple roles
There is no there there: making believe in composite screen space
Conclusion.