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Making believe screen performance and special effects in popular cinema

Title
Making believe [electronic resource] : screen performance and special effects in popular cinema / Lisa Bode.
ISBN
0813580005
9780813580005
0813579988
9780813579979 (pbk.)
9780813579986 (hardback)
Published
New Brunswick : Rutgers University Press, 2017. (Baltimore, Md. : Project MUSE, 2015)
Physical Description
1 online resource (pages cm).
Local Notes
Access is available to the Yale community.
Notes
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Summary
"In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"-- Provided by publisher.
Variant and related titles
UPCC book collections on Project MUSE.
Project MUSE - 2017 Complete.
Project MUSE - 2017 Film, Theater and Performing Arts.
Format
Books / Online
Language
English
Added to Catalog
July 14, 2017
Series
Book collections on Project MUSE.
Techniques of the moving image
Contents
Machine generated contents note: Introduction
Acting through machines: fidelity and expression from cameras to Mo-Cap
Behind rubber and pixels: mimesis, seamlessness, and acting achievement
In another's skin: typecasting, identity, and the limits of proteanism
Double trouble: authenticity, fakery, and concealed performance labor
Performing with themselves: versatility, timing, and nuance in multiple roles
There is no there there: making believe in composite screen space
Conclusion.
Also listed under
Project Muse.
Citation

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