Books+ Search Results

Reassessing the Hitchcock Touch Industry, Collaboration, and Filmmaking

Title
Reassessing the Hitchcock Touch [electronic resource] : Industry, Collaboration, and Filmmaking / edited by Wieland Schwanebeck.
ISBN
9783319600086
Publication
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Physical Description
1 online resource (XIV, 273 p. 36 illus.)
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Summary
This volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock’s own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock’s own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock’s formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972).
Variant and related titles
Springer ebooks.
Other formats
Printed edition:
Format
Books / Online
Language
English
Added to Catalog
November 02, 2017
Contents
1. Introducing the Hitchcock Touch
2. Facing the Past as Well as the Future: Music and Sound in Hitchcock’s Early British Sound Films
3. Between Caméra Stylo and the Making of Images: Hitchcock’s Cinematographers
4. Hitchcock’s Plotting
5. Hitchcock’s Brunettes: Visualizing Queerness in the 1940s and 1950s
6. Gazing and Constructing: Imag(in)ing Madeleine in Vertigo
7. “If I Won’t Be Myself, Who Will?”: The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour
8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film
9. The Visual Peak: Saul Bass as Hitchcock’s ‘Pictorial Consultant’
10. Alfred Hitchcock’s Three Investigators Series
11. Jack of All Trades: Alfred Hitchcock’s Apprenticeship in Neubabelsberg, 1924/25
12. Hitchcock
Powell
Ford
13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller
14. Jaws: Directed by Alfred Hitchcock.
Also listed under
Schwanebeck, Wieland.
SpringerLink (Online service)
Citation

Available from:

Online
Loading holdings.
Unable to load. Retry?
Loading holdings...
Unable to load. Retry?