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Immanence and immersion : on the acoustic condition in contemporary art
Author
Title
Immanence and immersion : on the acoustic condition in contemporary art / Will Schrimshaw.
ISBN
9781501315855
1501315854
9781501315879
Publication
New York, NY, USA : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc, 2017.
Copyright Notice Date
©2017
Physical Description
vi, 204 pages : illustrations ; 24 cm
Summary
"A critique of immersive aesthetics in the arts, with particular emphasis placed upon sound and new media art"-- Provided by publisher.
Format
Books
Language
English
Added to Catalog
November 21, 2017
Bibliography
Includes bibliographical references and index.
Contents
Machine generated contents note:
1. Introduction 1.1. Acoustic space
1.2. The audiovisual litany
1.3. Immersion is the new orthodoxy
1.4. The confusion of immanence and immersion 2. Immersive Phenomenology 2.1. The lived and the embodied: phenomenological conditions of the immersive
2.2. Husserl: phenomenological (sound) objects
2.3. Merleau-Ponty: immersion and embodiment
2.4. Henry: phenomenology and affective immanence 3. Immanent Thought 3.1. Kant: the immanence of critique
3.2. Hegel: absolute immanence
3.3. Deleuze: transcendental empiricism and the space of immanence
3.4. Badiou: immanence and the infinite 4. Writing out Sound 4.1. Recording technology, writing and exteriority
4.2. Realising Derrida
4.3. Badiou: the dis-qualification of writing
4.4. Digitisation and Infinite Exchange 5. Sound, Concept and Idea 6. Conclusion: Immanence contra Immersion
7. Bibliography
Index.
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