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The Oxford handbook of Shakespeare and performance
Title
The Oxford handbook of Shakespeare and performance / edited by James C. Bulman.
ISBN
9780191792151 (ebook) :
Publication
Oxford : Oxford University Press, 2017.
Physical Description
1 online resource : illustrations (black and white).
Local Notes
Access is available to the Yale community.
Notes
Description based on online resource; title from home page (viewed on December 1, 2017).
Access and use
Access restricted by licensing agreement.
Summary
Shakespearean performance criticism has undergone a sea change in recent years, and strong tides of discovery are continuing to shift the contours of the discipline. The essays in this volume, written by scholars from around the world, reveal how these critical cross-currents are influencing the ways we now view Shakespeare in performance.
Variant and related titles
Handbook of Shakespeare and performance
Shakespeare and performance
Oxford handbooks online.
Other formats
Print version :
Format
Books / Online
Language
English
Added to Catalog
January 03, 2018
Series
Oxford handbooks online
Bibliography
Includes bibliographical references and index.
Audience
Specialized.
Contents
Slapstick against Stereotypes in South Sudan's Cymbeline / Rose Elfman
Reveries of a Shakespearean Walker / Robert Conkie
Shakespeare and the Contemporary: Psychology, Culture and Audience in Othello Production / Bridget Escolme
Open and closed: workshopping Shakespeare in South Africa / Colette Gordon
Shakespeare's Rebirth: performance in music, dance, theatre, and cinema in the age of electro-digital reproduction / Anthony R. Guneratne
'Nobody's Perfect': Cross-Dressing and Gender-Bending in Sven Gade's Hamlet and Julie Taymor's Tempest / Samuel Crowl
Captive Shakespeare / Ton Hoenselaars
Global Shakespeare Criticism beyond the Nation-State / Alexa Huang
Global Shakespeare and Globalized Performance / Dennis Kennedy
Not-Shakespeare and the Shakespearean Ghost / Peter Kirwan
Making 'Music at the Editing Table': Echoing Verdi in Welles' Othello / Scott Newstok
Can the Subaltern Sing? Liz White's Othello / Courtney Lehmann
There Is a World Elsewhere: Shakespeare on the Chinese Stage / Li Ruru
Shakespeare with and without its Language / Sonia Massai
Documenting the Demotic: Actor Blogs and the Guts of the Opera Singer / Cary M. Mazer
Archives and Anecdotes / Paul Menzer
'Victim of Improvisation' in Latin America: Shakespeare Out-sourced and In-taken / Alfredo Michel Modenessi
Intimate and Epic Macbeths in Contemporary Performance / Katherine Prince
Global Cultural Tourism at Canada's Stratford Festival: The Adventures of Pericles / Robert Ormsby
'It's All a Bit of a Risk': Reformulating 'Liveness' in Twenty-First Century Performances of Shakespeare / Stephen Purcell
The time is out of joint: Shakespeare, jet lag, and the rhythms of performance / Robert Shaughnessy
Verbal and Visual Representations in Modern Japanese Shakespeare Productions / Michiko Suematsu
(How) Should We Listen to Audiences?: Race, Reception, and the Audience Survey / Ayanna Thompson
Performance in Digital Editions of Shakespeare / Sarah Werner
Shakespearean Technicity / W.B. Worthen
Translating Performance: the Asian Shakespeare Intercultural Archive / Yong Li Lan
Dialectical Shakespeare: Pedagogy in Performance / Andrew James Hartley
Forgetting Performance / Peter Holland
Technology and the Ethics of Spectatorship / Pascale Aebischer
Shakespeare for Dummies, or 'See the Puppets Dallying' / Carol Chillington Rutter
Indigenizing Shakespeare in South Africa / Adele F. Seeff
Shakespeare's Property Ladder: Women Directors and the Politics of 'Ownership' / Kim Solga
Introduction: Cross-Currents in Performance Criticism / James C. Bulman
'Deared by Being Lacked': The Realist Legacy and the Art of Failure in Shakespearean Performance / Roberta Barker
Experimental Shakespeare / Susan Bennett
Performance, Presence, and Personal Responsibility: Witnessing Global Theatre in and around the Globe / Christie Carson
High Tech Shakespeare in a Mediatized Globe: Ivo van Hove's Roman Tragedies and the Problem of Spectatorship / Thomas Cartelli.
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