Summary
Explores Virgil Thomason's 1934 opera Four Saints in Three Acts, focusing on the hitherto neglected significance of photography in documenting the opera and its all-African American cast, and examining the roles of fashion, dance, literature, and music in the opera's popular success; includes photographs by Lee Miller, Carl Van Vechten, George Platt Lynes, White Studio and others.
Variant and related titles
Four saints in three acts : a snapshot of the American avant-garde in the 1930s