Parisian grand opera at the Basel Theater auf dem Blömlein: traces of transnational circulation, translation and reception / Laura Moeckli
Grand opera in nineteenth-century Stockholm: court celebrations and bourgeois entertainment / Karin Hallgren
Cockneys in a fever: Gustave in London, 1833 / Sarah Hibberd
Masking the masked ball: Auber's Gustave III as Die Ballnacht at the Weimar court theatre, 1836 / Carolin Hauck
Halévy's La juive in Stockholm, 1866 / Owe Ander
Sympathy for the devil?: Bertram (Robert de diable) in Copenhagen, 1833 / Jens Hesselager
Fenella (La muette de Portici) and Valentine (Les huguenots) as symbols of national identity in Helsinki, 1877 / Ulla-Britta Broman-Kananen
Staging anti-Semitic stereotypes: Wäinö Sola's Eléazar at the Finnish opera, 1925 / Anne Kauppala
In search of the national: nineteenth-century Portuguese composers and their first approaches to grand opera / Luisa Cymbron
Conflicting ethnicities on the Russian imperial stage: the case of Otto Dütsch's The Croatian girl / Emanuele Bonomi
Meyerbeer on the zarzuela stage: El dúo de "La Africana" by Manuel Fernández Caballero / Carlos María Solare.