Summary
Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly. What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, he traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that connected to Romantic notions of the aesthetic pleasure of suffering. But the decisive shift towards a benign emotion occurred in the colonies, where Frenchmen worried about excessive creolization came to view a moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea.
Contents
Introduction: Nostalgia as a historical problem
Nostalgia in 1688
The reasons of a passion
The lost pays of the patrie
Mothers and sons in the time of Napoleonic war
Golden age
Nostalgia in the tropics
Ubi bene, ibi patria: nostalgia fin de siècle
Afterword: Nostalgia in history.