PART ONE: INTRODUCTION
Chapter 1: Why Anim̌?
Chapter 2: Anim̌ and Global/Local Identity
PART TWO: BODY, METAMORPHOSIS, IDENTITY
Chapter 3: Akira and Ranma ư: The Monstrous Adolescent
Chapter 4: Controlling Bodies: The Body in Pornographic Anim̌
Chapter 5: Ghosts and Machines: The Technological Body
Chapter 6: Doll Parts: Technology and the Body in Ghost in the Shell
PART THREE: MAGICAL GIRLS AND FANTASY WORLDS
Chapter 7: The Enchantment of Estrangement: The Shojo in the World of Miyazaki Hayao
Chapter 8: Carnival and Conservatism in Romantic Comedy
PART FOUR: REMAKING MASTER NARRATIVES: ANIM¡ CONFRONTS HISTORY
Chapter 9: No More Words: Barefoot Gen, Grave of Fireflies, and "Victim's History"
Chapter 10: Princess Mononoke: Fantasy, the Feminine, and the Myth of "Progress"
Chapter 11: Waiting for the End of the World: Apocalyptic Identity
Chapter 12: Elegies
Chapter 13: Conclusion: A Fragmented Mirror
Appendix: The Fifth Look: Western Audiences and Japanese Animation.
Why anime?
Anime and local/global identity
Akira and Ranma 1/2 : the monstrous adolescent
Controlling bodies : the body in pornographic anime
Ghosts and machines : the technological body
Doll parts : technology and the body in Ghost in the shell
The enchantment of estrangement : the shōjo in the world of Miyazaki Hayao
Carnival and conservatism in romantic comedy
No more words : Barefoot Gen, Grave of the fireflies, and "victim's history"
Princess Mononoke : fantasy, the feminine, and the myth of "progress"
Waiting for the end of the world : apocalyptic identity
Elegies
Conclusion : A fragmented mirror
Appendix : The fifth look : Western audiences and Japanese animation.