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The end of cool Japan ethical, legal, and cultural challenges to Japanese popular culture

Title
The end of cool Japan [electronic resource] : ethical, legal, and cultural challenges to Japanese popular culture / edited by Mark McLelland.
ISBN
9781317269366 (electronic bk.)
1317269365 (electronic bk.)
9781138638259
1138638250
Publication
Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017.
Physical Description
1 online resource (xiv, 224 pages).
Local Notes
Access is available to the Yale community.
Notes
Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Other formats
Original
Format
Books / Online
Language
English
Added to Catalog
June 13, 2019
Series
Routledge contemporary Japan series ; 65.
Routledge contemporary Japan series ; 65
Bibliography
Includes bibliographical references and index.
Contents
Mark McLelland
Introduction: Negotiating "cool Japan" in research and teaching
Alisa Freedman
Death note, student crimes, and the power of universities in the global spread of manga
Laura Miller
Scholar girl meets manga maniac, media specialist, and cultural gatekeeper
Kirsten Cather
Must we burn eromanga? : on trying obscenity in the courtroom and the classroom
Sharalyn Orbaugh
Manga, anime and child pornography law in Canada
Patrick W. Galbraith
The "Lolicon guy" : some observations on researching unpopular topics in Japan
Adam Stapleton
All seizures great and small : reading contentious images of minors in Japan and Australia
Lin Yang and Yanrui Xu
"The love that dare not speak its name" : Chinese Danmei communities in the 2014 anti-porn campaign
Jessica Bauwens-Sugimoto
Negotiating religious and fan identities : "boys love" and Fujoshi guilt
Kristine Michelle Santos and Febriani Sihombing
Is there a space for cool manga in Indonesia and the Philippines? : postcolonial discourses on transcultural manga
Appendix: The rise and fall of the king of Lolicon : an interview with Uchiyama Aki / by Patrick Galbraith.
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