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Women Adapting Bringing Three Serials of the Roaring Twenties to Stage and Screen

Title
Women Adapting [electronic resource] : Bringing Three Serials of the Roaring Twenties to Stage and Screen / Bethany Wood.
ISBN
1609386507
9781609386504
1609386493
9781609386498
Published
Iowa City : University of Iowa Press, [2019] (Baltimore, Md. : Project MUSE, 2015)
Physical Description
1 online resource.
Local Notes
Access is available to the Yale community.
Notes
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Summary
"In Women Adapting, Bethany Wood examines how the developing preference for adaptations in early twentieth century entertainment promoted interrelationships among fiction, theatre, and film. Weaving together a broad range of archival sources, including personal correspondence, rejected rough drafts, advertisements, films, periodical illustrations, contracts, 'lost' songs, and film stills, Wood deftly explores how early-twentieth-century processes of adaptation forged connections across industries in entertainment. By centering her cross-disciplinary study on issues of gender, Wood considers how inter-industrial systems of adaptation affect both women writers and the female characters they create"-- Provided by publisher.
Variant and related titles
Project MUSE - 2019 Complete
Project MUSE - 2019 Film, Theater and Performing Arts
Other formats
Online version: Wood, Bethany, 1975- author. Women adapting Iowa City : University of Iowa Press, [2019]
Format
Books / Online
Language
English
Added to Catalog
September 09, 2019
Series
UPCC book collections on Project MUSE.
Studies in theatre history and culture
Bibliography
Includes bibliographical references and index.
Contents
Introduction: adaptation studies and gender
Story properties, women writers, and the inter-industrial complex of early twentieth-century adaptation
The age of innocence, 1920: publication and romantic authorship
The age of innocence, 1920/1924: screen adaptation and an author's reputation
The age of innocence, 1926/1928: stage adaptation and multi-vocal authorship
Show boat, 1926/1928: genre and gender in print and on screen
Show boat, 1926/1927: musical genre and the Ziegfeld girl
Show boat, 1927/1929: adapting for sound film
Gentlemen prefer blondes, 1925/1926: fidelity and consumerist femininity in print and on stage
Gentlemen prefer blondes, 1925/1928: faithfully (re)producing farce on screen
Conclusion: modern resonances.
Also listed under
Project Muse.
Citation

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