Introduction: adaptation studies and gender
Story properties, women writers, and the inter-industrial complex of early twentieth-century adaptation
The age of innocence, 1920: publication and romantic authorship
The age of innocence, 1920/1924: screen adaptation and an author's reputation
The age of innocence, 1926/1928: stage adaptation and multi-vocal authorship
Show boat, 1926/1928: genre and gender in print and on screen
Show boat, 1926/1927: musical genre and the Ziegfeld girl
Show boat, 1927/1929: adapting for sound film
Gentlemen prefer blondes, 1925/1926: fidelity and consumerist femininity in print and on stage
Gentlemen prefer blondes, 1925/1928: faithfully (re)producing farce on screen
Conclusion: modern resonances.