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Gothic Imagination in Latin American Fiction and Film

Title
Gothic Imagination in Latin American Fiction and Film [electronic resource] / Carmen A. Serrano.
ISBN
0826360459
9780826360458
9780826360441
Published
Albuquerque : University of New Mexico Press, [2019] (Baltimore, Md. : Project MUSE, 2015)
Physical Description
1 online resource (1 online resource.)
Local Notes
Access is available to the Yale community.
Notes
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Summary
"This work traces how Gothic imagination from the literature and culture of eighteenth- and nineteenth-century Europe and twentieth-century US and European film has impacted Latin American literature and film culture. Serrano argues that the Gothic has provided Latin American authors with a way to critique a number of issues, including colonization, authoritarianism, feudalism, and patriarchy. The book includes a literary history of the European Gothic to demonstrate how Latin American authors have incorporated its characteristics but also how they have broken away or inverted some elements, such as traditional plot lines, to suit their work and address a unique set of issues. The book examines both the modernistas of the nineteenth century and the avant-garde writers of the twentieth century, including Huidobro, Bombal, Rulfo, Roa Bastos, and Fuentes. Looking at the Gothic in Latin American literature and film, this book is a groundbreaking study that brings a fresh perspective to Latin American creative culture"-- Provided by publisher.
Variant and related titles
Project MUSE - 2019 Complete
Project MUSE - 2019 Latin American and Caribbean Studies
Project MUSE - 2019 Literature
Other formats
Print version: Serrano, Carmen A., 1969- author. Gothic imagination in Latin American fiction and film Albuquerque : University of New Mexico Press, [2019]
Format
Books / Online
Language
English
Added to Catalog
September 09, 2019
Bibliography
Includes bibliographical references and index.
Contents
Introduction. Contextualizing the gothic presence in Latin America
Part 1. The context
Vampires: the first bat-men are from the Americas
Films love monsters: film's arrival in Latin America
Part 2. Cultural anxieties and aesthetic critiques
Live burials and death-defying beauties
Vampires cloaked in metaphor
The doppelgänger: split-selves, animal-doubles, and spectral couples
Epilogue. Globalized current monsters.
Also listed under
Project Muse.
Citation

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