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Sense knowledge and the challenge of Italian Renaissance art : El Greco, Vélazquez, Rembrandt

Title
Sense knowledge and the challenge of Italian Renaissance art : El Greco, Vélazquez, Rembrandt / Giles Knox.
ISBN
9463725717
9789463725712
9789048544585
9048544580
Publication
Amsterdam : Amsterdam University Press, [2019]
Copyright Notice Date
©2019
Physical Description
233 pages, 8 unnumbered pages of plates : illustrations (some color), portraits ; 25 cm.
Summary
"Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted." -- back cover.
Format
Books
Language
English
Added to Catalog
January 23, 2020
Series
Visual and material culture, 1300-1700 ; 17.
Visual and material culture, 1300-1700 ; 17
Bibliography
Includes bibliographical references (pages 219-228) and index.
Contents
Introduction : polemics of painting
Part One. Origin stories and the challenge of Italy
El Greco : Italy, Crete, Toledo
From El Greco to Velázquez : Juan Bautista Maíno
Part Two. Illusion, materiality, touch
Velázquez and inversion : making and illusion
Vulcan, Mars, and Venus : erotic touch
Late Rembrandt I : texture and the skilled touch
Late Rembrandt II : feeling with the eyes
Conclusion.
Genre/Form
History.
Citation

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