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Studio lives : architect, art and artist in 20th-century Britain

Title
Studio lives : architect, art and artist in 20th-century Britain / Louise Campbell.
ISBN
9781848223134
1848223137
Publication
London : Lund Humphries, 2019.
Copyright Notice Date
©2019
Physical Description
288 pages : illustrations (some colour) ; 24 cm
Summary
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and influencing the modernist style. In its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist's work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.
Variant and related titles
Architect, art and artist in 20th-century Britain
Architect, art and artist in twentieth-century Britain
Format
Books
Language
English
Added to Catalog
February 13, 2020
Bibliography
Includes bibliographical references and index.
Contents
Section I: Legacies
Chapter 1: A visit to the master: G.F. Watts and the Victorian studio tradition
Chapter 2: Studio facts and studio fictions: "The Studio", the new journalism and the art novel
Section II: The Studio as Home
Chapter 3: An Arts and Crafts Movement artist in the Cotswolds: Henry Payne
Chapter 4: The artist as architect: Roger Fry and Durbins
Chapter 5: From a caravan to the urban stronghold: Augustus John
Section III: After the Victorians
Chapter 6: The artist and the swagger studio: William Orpen
Chapter 7: Studio, sculpture, architecture: William Reid Dick
Chapter 8: Old buildings, new art
Chapter 9: The architectural heresies of a painter: Roger Fry and modernism
Section IV: Building for art
Chapter 10: On display: domesticity, masquerade, modernism
Chapter 11: Buildings in the landscape
Chapter 12: Modernism, art and industry
Envoi.
Citation

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