Title
Singing to the lyre in renaissance Italy : memory, performance, and oral poetry / Blake Wilson.
ISBN
9781108768887 (ebook)
9781108488075 (hardback)
9781108738415 (paperback)
Publication
Cambridge : Cambridge University Press, 2020.
Physical Description
1 online resource (xii, 473 pages) : digital, PDF file(s).
Local Notes
Access is available to the Yale community.
Notes
Title from publisher's bibliographic system (viewed on 01 Nov 2019).
Access and use
Access restricted by licensing agreement.
Summary
A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.
Variant and related titles
Cambridge University Press eBook Backlist 2018-2019.
Other formats
Print version:
Added to Catalog
June 05, 2020