Does the cultural capital compensate for the cultural discount? Why do German students prefer US-American TV series? / Daniela Schluetz, Beate Schneider
Awake, or the multiplication of the realities contemporary television series: narrative structures and audience perception / Mathieu Pierre
"Three hundred channels and nothing's on": metaleptic genre-mixing in Supernatural / Michael Fuchs
Appreciating Nietzsche in episodic drama: the highbrow intertextuality and middlebrow reception of Criminal minds / Michael Wayne
The seed of an idea and its cognitive field: minding the gap of alternate reality in Flash forward and Fringe / Inbar Kaminsky
Breaking narrative: narrative complexity in contemporary television / Oliver Kroener
The walking dead and the truly monstrous ... on television / Atene Mendelyte
Television cosmo-mythologies: the return to mythological narratives in television fiction, from The prisoner to Lost / Raquel CrisoÌstomo GaÌlvez, Enric Ros ZofiÌo
Breaking bad, a character-based formula / Rodrigo Mesonero
Representing occupations in media and audience perceptions of TV series / Valentina Marinescu
Homeland: war on terror revisited / Marc PerelloÌ-Sobrepere
Understanding health in Grey's Anatomy television series / Bianca Mitu
Fiction television in Brazil: new perspectives / Lilian Fontes Moreira
TV series Bolji z̆ivot (1987-1991): view from the future / Natasa Simeunovic Bajic
The X-factor of singing competitions TV series / Maria Dicieanu
TV drama as a narrative form: scenes from a gendered and a sacralized cultural sphere in Turkish society / Nuran E. Işık
The hero's journey / MariÌa Teresa NicolaÌs GavilaÌn, Lourdes LoÌpez GutieÌrrez, Carmen Silvia SaÌnchez Arana, Tania Alejandra BeniÌtez SaÌnchez.