Introduction: the history of photography and the problem of knowledge
See for yourself : visual discernment and photography's appearance
Shadowy organization : combination photography, illusion, and conspiracy
Same time tomorrow : serial photographs and the structure of industrial vision
Hand in hand : gender and collaboration in Victorian photography
Signature style : Francis Frith and the rise of corporate photographic authorship
Indistinct relics : discerning the origins of photography
The limits of looking : the tiny, distant, and rapid subjects of photography. Conclusion : "normal" photography : the legacy of a history.