Introduction: introducing the next generation of adaptation / Allen H. Redmon
Jim Jarmusch's Paterson: poetry, place, and cinematic form / Jack Ryan
Carnivalized adaptations of Oscar Wilde's The Picture of Dorian Gray on screen / Emine Akkülah Doǧan
Into the future from Out of the Past: double binds, double crosses, and ethical choice / Larry T. Shillock
"Acting Victorian": marketing stars and reimagining the victorian in classical Hollywood / Noelle Hedgcock
Ruthless Ram and sexual Sita: alternate readings of the Ramayana / Rashmila Maiti
"Both in and out of the game, and watching and wondering at it: "Whitmanic currents and complications in He Got Game and "I, Too" / Zoe Bursztajn-Illingworth
Wolf Totem by Jean-Jacques Annaud: turning a Chinese novel into a transnational film / Caroline Eades
Adaptation, authenticity, and ethics in Carl Davis's score to The Thief of Bagdad / Geoffrey Wilson
Sicarios and the Latin American assassin on film / Richard Vela
Media portrayals of the woman suffrage movement: reconstructing a usable past / Tina Olsin Lent
#MeToo and the filmmaker as monster: John Landis, Quentin Tarantino, and the allegorically confessional horror film / Marc Dipaolo.