Machine generated contents note: The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of The Last Supper by Giorgio Vasari / Andrea Santacesaria
Twenty-five years after the Perth Museum and Art Gallery flood: reflections / Clare Meredith
The conservation of two water-sensitive, 14th-century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century / Helen Howard
The challenges of reconstructing water-damaged paint layers on painted wooden panelling / Maja Sucevic Miklin
Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century / Tatjana Wischniowski
The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings / Annie Cornwell
Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses / Emma Richardson
Bulging in wax-resin impregnated canvas paintings / Martin N. Mortensen
Paintings affected by mould at the Palace of Westminster / Sally Higgs
Edvard Munch's monumental Aula paintings: a review of soiling and surface cleaning issues and the search for new solutions / Tine Frøysaker
`It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservation solutions for paintings by David Hockney / Bronwyn Ormsby.