On "baroque"
Introduction. Toward an Orphic modernism
Overcoming ascetic style : Nietzsche's transvaluation of the baroque against classical rhetoric and drama
The matter of spectacle : Mallarmé and the futures of theatrical ostentation
Landscapes of melancholy : Benjamin, Trauerspiel, and the pathways of tradition
The citability of baroque gesture : unsettling Stein
Epilogue. Glancing back, reaching forward.