Acknowledgements
Notes on Contributors
Introduction
Ryan D. Giles and José Manuel Hidalgo
PART 1
Cross-Cultural Contexts
1 A Poet in the Court of King Alfonso
The Libro de Buen Amor in Its Courtly Context
Carlos Heusch
br/> 2 Reading the Libro de Buen Amor Multiconfessionally
Gregory S. Hutcheson
3 Carnal, Carnival and Purim in the Libro de Buen Amor
Michelle Hamilton
4 Enchanting Go-Betweens
Mediated Love Magic in the Libro de Buen Amor and Iberian Grimoires
Veronica Menaldi
5 Figuring the Lamb and the Ram
Devotion and Magic in the Pitas Payas Episode of the Libro de Buen Amor
Erik Ekman
PART 2
Theoretical and Cross-Disciplinary Approaches
6 The Parody of Translation and Representation of Space in the Libro de Buen Amor
Ryan D. Giles
7 For Love of Money
Rhetorical Economics in the Libro de Buen Amor
Simone Pinet
8 Isorhythmic Motets in the Libro de Buen Amor
Reading the Archpriest's Adventures as a Musical Composition
Nora C. Benedict
9 Sermon, Story, Song
Reading and Performing the Libro de Buen Amor
Denise K. Filios
10 Remediating the Libro de Buen Amor
Immediacy, Authenticity, and the Pleasure of Mediatization
Michael Solomon
Bibliography
Index.