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Filmed Thought : Cinema as Reflective Form

Title
Filmed Thought : Cinema as Reflective Form / Robert B. Pippin.
ISBN
9780226672144
Publication
Chicago : University of Chicago Press, [2020]
Copyright Notice Date
©2019
Physical Description
1 online resource (304 p.) : 66 color plates, 30 halftones
Local Notes
Access is available to the Yale community.
Notes
In English.
Access and use
Access restricted by licensing agreement.
Summary
With the rise of review sites and social media, films today, as soon as they are shown, immediately become the topic of debates on their merits not only as entertainment, but also as serious forms of artistic expression. Philosopher Robert B. Pippin, however, wants us to consider a more radical proposition: film as thought, as a reflective form. Pippin explores this idea through a series of perceptive analyses of cinematic masterpieces, revealing how films can illuminate, in a concrete manner, core features and problems of shared human life. Filmed Thought examines questions of morality in Almodóvar's Talk to Her, goodness and naïveté in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In a Lonely Place and in the Dardennes brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (paying special attention to the role of cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human.
Variant and related titles
De Gruyter University Press eBook pilot project 2019.
Format
Books / Online
Language
English
Added to Catalog
June 17, 2022
Contents
Frontmatter
Contents
Section I. Cinema as Reflective Form
1 Cinematic Reflection
2 Cinematic Self- Consciousness in Alfred Hitchcock's Rear Window
Section II. Moral Variations
3 Devils & Angels in Pedro Almodóvar's Talk to Her
4 Confounding Morality in Alfred Hitchcock's Shadow of a Doubt
Section III. Social Pathologies
5 Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself Be "False"?
6 Love & Class in Douglas Sirk's All That Heaven Allows
Section IV. Irony & Mutuality
7 Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar
8 Passive & Active Skepticism in Nicholas Ray's In a Lonely Place
Section V. Agency & Meaning
9 Vernacular Metaphysics: On Terrence Malick's The Thin Red Line
10 Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers
Acknowledgments
Works Cited
Index
Citation

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