Introduction : All Things Visible and Invisible
New Lives, New Optics : Missionary Modernity and Visual Practices in Interwar Republican China
Converting Visions : Photographic Mediations of Catholic Identity in West Hunan, 1921-1929
The Movie Camera and the Mission : Vernacular Filmmaking as China-US Bridge, 1931-1936
Chaos in Three Frames : Fragmented Imaging and the Second Sino-Japanese War, 1937-1945
Memento Mori : Loss, Nostalgia, and the Future in Postwar Missionary Visuality
Epilogue : Latent Images