Preface
1 Introduction
2 'A Singer's Swagger': Angela Carter, the Folk Singer
3 'Me and Not-Me': Folk Song Praxis and the Gender Imaginary in Shadow Dance
4 'An Invented Distance': Folk Songs, Sonic Geographies, and The Erl-King 's Greenwood
5 'Moving Through Time': Folk Songs, Journeys and the Picaresque in 'Reflections' and The Infernal Desire Machines of Doctor Hoffman
6 'Only a Bird in a Gilded Cage': Folk Songs, Avianthropes and the Canorographic Voice in 'The Erl-King' and Nights at the Circus
7 'A Continued Thread': Angela Carter and the Folk Singer Emily Portman
8 Sympathetic Resonances
Bibliography.