Introduction: "An Apt Cartoon" / Qiana Whitted
Part I: Iconographies of Race and Racism: Rose O'Neill and Visual Tropes of Blackness / Ian Gordon
The Passing Fancies of Krazy Kat / Nicholas Sammond
"How Else Could I Have Created a Black Boy in That Era?": Racial Caricature and Will Eisner's Legacy / Andrew J. Kunka
Part II: Formal Innovation and Aesthetic Range: Desegragating Black Genealogies: An Inviation / Rebecca Wanzo
Misdirections in Matt Baker's Phantom Lady / Chris Gavaler and Monalesia Earle
The Art of Alvin Hollingsworth / Blair Davis
"Hello Public!": Jackie Ormes in the Print Culture of the Pittsburgh Courier / Eli Boonin-Vail
Part III: Comics Readership and Respectability Politics: "Never Any Dirty Ones": Comics Readership among African American Youth in the Mid-Twentieth Century / Carol L. Tilley
All Negro Comics and Counterhistories of Race in the Golden Age / Qiana Whitted
"This Business of White and Black": Captain Marvel's Steamboat, the Youthbuilders, and Fawcett's Roy Campanella, Baseball Hero / Brian Cremins
Al Hollingworth's Kandy: Race, Colorism, and Romance in African American Newspaper Comics / Mora J. Beauchamp-Byrd
Part IV: Disrupting Genre, Character, and Convention: Diabolical Master of Black Majic: Examining Agency through Villainy in "The Voodoo Man" / Phillip Lamarr Cunningham
Love in Color: Fawcett's Revolutionary Negro Romance / Jacque Nodell
An Afrofuturist Legacy: Neil Knight and Black Speculative Capital / Julian C. Chambliss
"For They Were There!": Dell Comics' Lobo and the Black Cowboy in American Comic Books / Mike Lemon