9781526153661

9781526125767

9781526125750

Originally published in print: 2018.

Description based on print version record.

Part I: Genealogy

Part II: Debates

Part III: Keywords

Part IV: The field.

Part I: Genealogy

Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss

The technical gaze: the parallel world of photography (2003) / Ernst Rebel

Post-print culture? (2013) / Frances Robertson

Part II: Debates

The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg

Sentences on printed art (1994) / Richard S. Field

The re-vision of printmaking(1999) / Kathryn Reeves

The shape of graphic art (2010) / Andrzrej Bednarczyk

The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca

Print as other: the future is queer (2013) / Richard Harding

The what and the why of print (2016) / Barbara Balfour

Part III: Keywords

Coordinates of a history of the technical image 2003) / Ernst Rebel

The status of the reproduction (1988) / Susan Lambert

Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries

Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover

Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake

Opening up an anachronistic point of view (1997) / Georges Didi-Huberman

Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo

Spirit duplication (2010) / Yara Flores

Three ways to use yellow (2014) / Catherine Brooks

On the manual (in the manual)

Part IV: The field

Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann

Projects and portfolios: narrative and structure (1995) / Jeremy Lewison

Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders

Print and the public sphere (2011) / Sheryl Conkelton

The work event: art in the distributed field and systems of production (2013) / Johanna Drucker

All the instruments agree (2010) / Eric Triantafillou

Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez

Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui

What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins

Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson

Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.

Prints > Technique.

Prints > Technique.

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