Acknowledgments
Introduction: up from the underground: Art Spiegelman and the elevation of comics / Georgiana Banita and Lee Konstantinou
Modernist disruptions: Art Spiegelman as experimenter, editor and critic / Shawn Gilmore
A ragpicker's art: Spiegelman's jazz cosmopolitanism / Ariela Freedman
The modern void: Art Spiegelman's aesthetics of silence / Georgiana Banita
Exploding stereotypes: Spiegelman and transgression / Philip Smith
RAW radicals: Art Spiegelman's comic politics / Sarah Hamblin
Art Spiegelman and 9/11 / Kent Worcester
Provisional equanimity: citation and solace in Art Spiegelman's "In the Shadow of No Towers" / Patrick Lawrence
Of mice and masks: photography as masking in Art Spiegelman's "Maus" / Liza Futerman
Art imitating life: traumatic affect in Art Spiegelman's "Maus" and Holocaust cinema / Harriet Earle
Who published "Maus"? / Colin Beineke
Ellis Island art: Art Spiegelman's place in the history of immigration comics / Cara Koehler
Art Spiegelman's Faustian bargain: TOON books and the invention of comics for kids / Lee Konstantinou
Appendix: Art Spiegelman's primary works
About the contributors
Index.