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The sovereign self : aesthetic autonomy from the Enlightenment to the avant-garde

Title
The sovereign self : aesthetic autonomy from the Enlightenment to the avant-garde / Grant H. Kester.
ISBN
1478024550
9781478024552
9781478020424
1478020423
9781478019961
1478019964
Publication
Durham : Duke University Press, 2023.
Physical Description
1 online resource (271 pages) : illustrations
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Summary
"The Sovereign Self explores the complex history of artistic subjectivity and the principle of autonomy that it exemplifies. Grant H. Kester argues that the modern artistic self is the basis for a whole series of subsequent institutional and discursive enclosures which are understood to be uniquely free from the forms of ideological domination that constrain all other forms of cultural production. Moreover, he explores how the question of aesthetic autonomy has ramifications that extend well beyond art to larger issues associated with the nature of political transformation, including the complex relations between the artistic avant-garde and the revolutionary vanguard. In order to explore these issues, Kester considers the evolving discourse of aesthetic autonomy throughout history, from its origins in Enlightenment aesthetic philosophy, through the initial emergence of avant-garde art movements in the nineteenth century, to its more contemporary manifestation in the neo-avant-garde of the 1970s"-- Provided by publisher.
Variant and related titles
e-Duke books scholarly collection 2023. OCLC KB.
Other formats
Print version: Kester, Grant H. Sovereign self. Durham : Duke University Press, 2023
Format
Books / Online
Language
English
Added to Catalog
April 02, 2024
Bibliography
Includes bibliographical references and index.
Contents
Freedom and sovereignty
Communism and the aesthetic state
From vanguard to avant-garde
Activism and autonomy in the 1960s
The rise of the neo-avant-garde
The Hirschhorn monument : autonomy as brand and alibi
Conclusion: Aesthetics beyond semblance.
Genre/Form
History.
Art criticism.
Citation

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