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Innovation in music : technology and creativity
Title
Innovation in music : technology and creativity / edited by Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, and Mark Marrington.
ISBN
9781003118817
100311881X
9781003847960
100384796X
9780367633363
9780367633370
9781003847885
1003847889
0367633361
Publication
Abingdon, Oxon ; New York : Routledge, 2024.
Physical Description
1 online resource.
Local Notes
Access is available to the Yale community.
Notes
"A Focal Press book"--Cover.
Electronic reproduction. London Available via World Wide Web.
Description based on online resource; title from digital title page (viewed on March 29, 2024).
Access and use
Access restricted by licensing agreement.
Biographical / Historical Note
Jan-Olof Gull ̲is Professor in Music Production at the Royal College of Music, Stockholm, Sweden and Visiting Professor at Linnaeus University. Russ Hepworth-Sawyer is a mastering engineer with MOTTOsound, an Associate Professor at York St John University, and the managing editor of the Perspectives On Music Production series for Routledge. Justin Paterson is Professor of Music Production at London College of Music, University of West London, UK. He has numerous research publications as author and editor. Research interests include haptics, 3-D audio and interactive music, fields that he has investigated over a number of funded projects. He is also an active music producer and composer; his latest album (with Robert Sholl) Les ombres du Fant̥me was released in 2023 on Metier Records. Rob Toulson is Director of RT60 Ltd, who develop innovative music applications for mobile platforms. He was formerly Professor of Creative Industries at University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University. Rob is an author and editor of many books and articles, including Drum Sound and Drum Tuning, published by Routledge in 2021. Mark Marrington is an Associate Professor in Music Production at York St John University, having previously held teaching positions at Leeds College of Music and the University of Leeds. His research interests include metal music, music technology and creativity, the contemporary classical guitar and twentieth-century British classical music, and his recently published book, Recording the Classical Guitar (2021), won the 2022 ARSC Award for Excellence in Historical Recorded Sound Research (Classical Music).
Variant and related titles
Technology and creativity
Other formats
Print version: Innovation in music Abingdon, Oxon ; New York : Routledge, 2024
Format
Books / Online
Language
English
Added to Catalog
April 08, 2024
Series
Perspectives on music production
Bibliography
Includes bibliographical references and index.
Contents
Part One. Composition and Performance. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music / Ambrose Field ; The 'Performable Recordings' Model and the Pursuit of Timing Consistency in Live Electronic Dance Music / Christos Moralis ; The Space is the Place : Interplay and interaction in an extreme location / Claus Sohn Andersen ; Composing Without Keys : The LFO as a Composition Tool / Dave Fortune ; Exploring a network setup for music experimentation / Enric Guaus, Àlex Barrachina, Josep Comajuncosas, Gabriel Saber, Víctor Sanahuja ; Performance mapping and control; enhanced musical connections and a strategy to optimise flow-state / Charlie Norton, Daniel Pratt, Justin Paterson ; Hacking the concert experience
exploring co-creative audience interaction at a chiptune live performance / Matthias Jung, Vegard Kummen ; Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works ; Samuel Lynch, Helen English, Jon Drummond, Nathan Scott ; A Deepened 'Sense of Place' : ecologies of sound and vibration in urban settings and domesticated landscapes / Stefan Östersjö, Jan Berg, Anders Hultqvist
Part Two. Technology and Innovation. "Yesterday's Charm, Today's Precision" : Martin B. Kantola and the design of a new 'classic' microphone (Nordic Audio Labs NU-100K) / Antti Sakari Saario ; Audio beyond Demand : Creative Reinventions of the Broadcast Listening Experience / Florian Hollerweger ; Towards a Standard for Interactive Music / Hans Lindetorp ; Transforming performance with HASGS : research-led artistic practice with an augmented instrument / Henrique Portovedo, Ângelo Martingo ; Waveforms as Means of Time Tinkering / Bjørnar Ersland Sandvik ; Levelling up chiptune : nostalgic retro games console sounds for the ROLI Seaboard / Kirsten Hermes ; Forceful Action and Interaction in Non-Haptic Music Interfaces / Mads Walther-Hansen, Anders Eskildsen ; Artificial creativity and tools for understanding : music, creative labour and AI / Matthew Lovett ; From Intelligent Digital Assistant to Intelligent Digital Collaborator ; M. Nyssim Lefford, David Moffat, Gary Bromham ; Analyse! Development and integration of software-based tools for musicology and music theory / Martin Pfleiderer, Egor Polyakov, Christon-Ragavan Nadar ; A New Morphology : Strategies for Innovation in Live Electronics Performance / Mattias Petersson.
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