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Speak it louder : Asian Americans making music

Title
Speak it louder : Asian Americans making music / Deborah Wong.
ISBN
0415970393
9780415970396
0415970407
9780415970402
0203497279
9780203497272
Publication
New York : Routledge, 2004.
Physical Description
1 online resource (xii, 388 pages) : illustrations
Local Notes
Access is available to the Yale community.
Notes
Electronic text and image data. Ann Arbor, Mich. : University of Michigan, Michigan Publishing, 2024. EPUB file. ([ACLS Humanities E-Book])
Access and use
Access restricted by licensing agreement.
Summary
This book documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. The author covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In the author's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. This book encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.
Variant and related titles
ACLS Humanities E-Book.
Format
Books / Online
Language
English
Added to Catalog
May 20, 2024
Bibliography
Includes bibliographical references (pages 347-381) and index.
Contents
Southeast Asian immigrants sounding off. Asian American performativities ; History, memory, re-membering ; Taking (to) the street : Cambodian immigrants in the Philadelphia Mummers Parade ; Karaoke, mass mediation, and agency in Vietnamese American popular music ; Pham Duy at home : Vietnamese American technoculture in Orange County
Encounters. Making space, making noise : Locating Asian American resistance in the Festival ; Listening to local practices : Performance and identity politics in Riverside, California
New interventions. The Asian American body in performance ; Taiko in Asian America ; Just being there : making Asian American space in the recording industry ; Finding an Asian American audience : the problem of listening ; ImprovisAsians : free improvisation as Asian American resistance ; Ethnography, ethnomusicology and post-white theory ; My father's life in music.
Also listed under
American Council of Learned Societies, issuing body.
Citation

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