By way of introduction.
Spectacle, farce, melodrama, and minstrelsy fifty years ago.
The worth and impotence of free criticism.
Some early experiences and mistakes.
Selwyn's theatre and the Robertson period.
The ephemeral drama and the enduring drama.
The great dramatic quinquennium and the Boston Museum.
William Warren, comedian.
Actual and ideal training for the stage.
J.L. Toole and Charles James Mathews.
Charlotte Cushman.
E.A. Sothern, sr.
The isolation of actors.
Charles Fechter.
Edwin Booth.
Tommaso Salvini.
Adelaide Neilson.
Memorable experiences of single plays and artists.
An American theatre privately endowed.
Henry Irving.