Foreword, by S.B.Greenfield.
Aspects of microcosm and macrocosm in Old English literature, by J.E.Cross.
Maldon and the Óláfsdrápa: an historical caveat, by J.B.Bessinger.
Patristics and Old English literature: notes on some poems, by M.W.Bloomfield.
The singer looks at his sources, by R.P.Creed.
Byrhtnoth and Hildebrand: a study in heroic technique, by R.W.V.Elliott.
The Christian perspective in Beowulf, by M.E.Goldsmith.
Beowulf and epic tragedy, by S.B.Greenfield.
Two English Frauenlieder, by K.Malone.
Two Anglo-Saxon harps, by C.L.Wrenn.
The Beowulf poet and the tragic muse, by A.Bonjour.
Haethenra Hyht in Beowulf, by E.G.Stanley.
Strange sauce from Worcester, by H.D.Meritt.
"He that will not when he may; when he will shall have nay," by A.Taylor.
Episcopal magnificence in the eleventh century, by D.Bethurum.
The subjectivity of the
style of Beowulf, by G.Storms.
The fall of man in Genesis B and the Mystère d'Adam, by R.Woolf.
"Hygelac" and "Hygd," by R.E.Kaske.
The flood narrative in the Junius manuscript and in Baltic literature, by F.L.Utley.
The edged teeth, by F.G.Cassidy.
The heroic oath in Beowulf, the Chanson de Roland, and the Nibelungenlied, by A.Renoir.