Black magic, disembodied. Marlon Brando's jazz acting and the obsolescence of blackface
Borrowing Black masculinity: Dirty Harry finds his gentle side
Passing tones : The talented Mr. Ripley and Pleasantville
Serving the White audience. The racial displacements of Ransom and Fargo
Black angels in America : millennial solutions to the "race problem"
Unrepresentable subjects. Evidence : Thelonious Monk's challenge to jazz history
Revenge of the nerds : representing the White male collector of Black music
Black magic, inverted. Robert Altman's jazz history lesson
Spike Lee meets Aaron Copland.