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Matrimonial-harmonics

Title
Matrimonial-harmonics [graphic] / Js. Gillray des. & fect.
Publication
London : Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street, [25 October 1805]
Physical Description
1 print : etching ; sheet 25.5 x 36 cm
Medium
wove paper
Local Notes
Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls.
Temporary local Medical Library subject terms: Marriage & married life.
Notes
Title etched below image.
Companion print to: "Harmony before matrimony."
Sheet trimmed within plate mark.
Exhibited: "James Gillray's Hogarthian Progresses" at The Lewis Walpole Library, Farmington, CT, April 2016 - September 2016.
Provenance
From a collection in twelve volumes probably compiled by Francis Harvey and sold at auction, Sotheby, London, June 1900. Bequest of Hugh Dudley Auchincloss to Yale University Library, 1981. Bound by Riviere & Son in three-quarters red morocco with gold tooling and gold lettering on spine.
Sotheby's lot 238 [Car. II] to Seven Gables; July 1968.
Summary
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue.
Format
Images
Language
English
Added to Catalog
January 08, 2009
References
Catalogue of prints and drawings in the British Museum, v. 8, no. 10473
Wright, T. Works of James Gillray, the caricaturist, page 325
Wright, T. Historical and descriptive account of the caricatures by James Gillray, no. 539
Satirical etchings of James Gillray, 87
Genre/Form
Satires (Visual works) - England - 1805.
Etchings - England - London - 1805.
Watermarks (Paper)
Citation

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